John Woods

Amanda Peet

Amanda Peet

blastedheath:

Hans Purrmann (German, 1880-1966), Model in Matisse’s Studio (Bibelacca), 1908. Oil on canvas.

blastedheath:

Hans Purrmann (German, 1880-1966), Model in Matisse’s Studio (Bibelacca), 1908. Oil on canvas.

(via ethrl)

centuriespast:


Paul Cézanne
French, 1839–1906
The Courtesans (Les Courtisanes)
c. 1867–1868 (possibly later)
Oil on canvas
The Barnes Foundation

centuriespast:

Paul Cézanne

French, 1839–1906

The Courtesans (Les Courtisanes)

c. 1867–1868 (possibly later)

Oil on canvas

The Barnes Foundation

(via kikisloane)

parergonal:

Klee
'Sign in Yellow'
Photo: Robert Bayer, Basel
http://www.fondationbeyeler.ch/sammlung/paul-klee
Ref. Mary Ann Doane
“The particularities of the worker’s identity or the type of labor involved have completely disappeared in the abstraction of perfection. In his monumental book, Mechanization Takes Command, Siegfried Giedion juxtaposes Gilbreth’s cyclographs with paintings by Paul Klee and Joan Miró”

parergonal:

Klee

'Sign in Yellow'

Photo: Robert Bayer, Basel

http://www.fondationbeyeler.ch/sammlung/paul-klee

Ref. Mary Ann Doane

The particularities of the worker’s identity or the type of labor involved have completely disappeared in the abstraction of perfection. In his monumental book, Mechanization Takes Command, Siegfried Giedion juxtaposes Gilbreth’s cyclographs with paintings by Paul Klee and Joan Miró”

(via poerobots)